Our Sins

Photography by Manuel Libres Librodo Jr.

We like miracles because they are now,

Not because they are from God.

We use God’s love because it serves us well,

Forgetting that without it, we would be dead.

We watch our loved ones sleep

And pray to God they do his will

And then grow afraid of his will.

There lacks congruence in what we Read More

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Oxidation

Painting by Jaanika Talts

What’s so dangerous about a free radical?  Caring not to ask the mob: masters of puppetry and coquetry, who individually dare not splash in the puddle and ruin their batteries and silk, I let the question drift away…but like sea foam, it still hugs Read More

Fluorescence

“Redlight” by Katrin Fridriks

In the Tibetan mountains I retired to my little cot every night, happy to soon commune with my Lord. But these sallow eyes and wan complexion in this hive of ten-thousand street lamps, only want to escape, sacrificing prayer for distant and pale dreams. And the screen projects blasphemies, spitting them Read More

One Year

Painting by Julia Watkins

Here we go ‘round the prickly pear, full circle needing prayer

Ashes to molasses, dust to suckling star dust

Sing your celebration, don’t compensate for your salvation

Only to look upon Creation and see what you must: Read More

God’s Fault

http://tr-art-literature.blogspot.co.il/2012/03/pavel-guzenko.html?m=1

Painting by Pavel Guzenko

What system are you going to fabricate tonight?

A clear way to discern black from white?

In which all spoken intuitive fiction

Can become, once and for all, conviction?

Or will it be a new solar one

In which bodies of mystical mass

‘Circle’ a serene and older sun Read More

Top Annie Proulx Similes and Metaphors 

Photo by Quentin Jones

 

One of the greatest contemporary authors of American literature once described a character’s storytelling as being able to “make you smell the smoke from an unlit fire.”  After having reread Annie Proulx’s oeuvre, I attribute this compliment to the Pulitzer Prize winning fiction writer herself.  Here is a list of Proulx’s top similes and metaphors, compiled from four volumes of short stories and five novels (in chronological order.  If I’ve missed some of your favorites, I’d love to hear from you.) Enjoy!

From Heart Songs and Other Stories (1988)

1. “Stong’s eyes shone like those of a greedy barn cat who has learned to fry mice in butter.” from ‘On the Antler’

2. “Earl was paying Santee three hundred dollars a week and he hadn’t shot a single bird.  ‘How’s about this?’ said Santee, feeling more and more like a cheating old whore every time they went [hunting].” from ‘The Unclouded Day’

3. “Santee had not heard shooting birds was that hard, but he knew Earl was no good; he had the reflexes of a snowman.” from ‘The Unclouded Day’

Painting by Cheri Wollenberg

4. “‘She’s Archie Noury’s wife.  Rose Noury.  Left Archie, come to live with Warren.  For how long, who knows?  What I call leaving the frying pan for the fire.’” from ‘A Country Killing’ Read More

Uncarving Lines

spilled-food-art-giulia-bernardelli-36

Art by Giulia Bernardelli

Reading Crime and Punishment in the dark and wet rural Chinese winter and Joshua got sick with a fever on the border town.  Wanting to kill the nihilist prick, “Rodya,” I explored the streets alone and brought back a paper bowl of noodles.  The inherent problem with writing is that it delineates thought and action.  Can we write and free ourselves from further categorization, further erring by playing tricks that depend on the duality illusion? Read More